You can surf or search or use the labels to follow a thread of ideas. Imagine in some crazy way you are watching my thoughts evolve, seeing ideas become connected , or observing an amorphous cloud giving birth to sources of light and matter. Treat this place metaphorically as a place of unformed galaxies and planetary systems rather than merely as a diary.

Saturday, October 27, 2007

Praise even in pain

James Prescott over at Deep Church recorded his observations attending a seminar by Robin Parry, “What can Christians do with the book of Lamentations?” In all that has been happening around me and my thoughts over the last few weeks I found his writing poignant.

"I think often the world thinks Christians don’t feel pain or try to hide their pain behind the smiles. In the case of the latter I think it is almost certainly true of some Christians and churches today – and some churches are like that too.

We need to be honest with people about our pain and our frustrations. We need to be honest about our weakness. But the difference is then that we can show people that there’s a safe, positive way of dealing with it and getting real healing and support. A place where its okay to feel pain. We need to be honest that we don’t always understand pain, why suffering happens, that we can’t always explain it – but that despite we still have faith that God has felt that pain through Jesus and can deal with it with us. Despite our pain, we can still praise God.

That’s a powerful message to a world full of pain.

It’s a big challenge for us all. Can we rise to it?"

I've already posted about my thoughts that a real spirituality must deal both with tears of sadness and of joy. Our communities of faith must be places where mourning is as important as celebrating. If we are unable to cry together what hope is there? If we can't cry in the passion of Christ how can we truly celebrate the resurrection of Jesus. It's not that complex. Strangely at this moment I am reminded of the work of Scottish architect and designer Charles Rennie Mackintosh. I think within its linear and curved style I find a certain sadness in the simplicity. The Arts and Crafts chair in juxta-position with the cello.